If you happen to find yourself Copenhagen at the moment or during next week, you should definitely check out underground artist group Xofia’s latest staging REPLAY Veronika. I attended the performance last night and was very impressed with this thougtprovoking and inspired staging.
The play was inspired by Kurt Vonnegut’s Timequake, the idea that a lapse in time could occur, setting history for a period of time, and thus suspending man’s free will momentarily. In REPLAY Veronika such a phenomenon occurs, resulting in the repetition of eight years (1999-2007), and main character Veronika is the only one in the world who preserves her free will and thus her ability to change her fate as of November 14 2007, the date that marks the occurence of the timequake.
The play queries the idea of a free will as Veronika, even when given the opportunity to change a less than desirable destiny, chooses to a large degree to follow the road already taken, and it does so in a fresh and sympathetically unresolved manner, leaving the ending open and inviting the audience to make a guess as to what will follow. It’s a kind of like a modern Everyman play, one might say, drawing on latter-day mythology in lieu of the lorn Christianity-inspired gallery of characters of medieval mystery plays. Veronika (Birgit Ulla Uldall-Ekman) with her mirroring surarium-name is Everywoman and the object of identification, God-like character Time (Sara Damgaard Andersen) embodies the much-worshipped media holding the remote control to a flat-screen monitor and effectively rewinds and fast-forwards, Lev (Bjørn Vikkelsø) is Veronika’s road-not-taken personified as the passionate, distant man in her life, contrasted by earthbound, button-down-shirted husband Jakob (Asger Kjær Pedersen), and clingy girlfriend Lily (Stina Mølgaard Pedersen), while The Stranger (Ulf Rathjen Kring Hansen) is an anon.-angelic kind of helper, dressed very appropriately like a film-noir informant in a hat and cottoncoat. It’s hard not to identify with Veronika as the years flash by in the course of about 80 minutes, relating to her story as well as (re-)considering one’s own actions and choices of the 1999-2007 time-span.
The art direction is very effective; the stage settings show the inside of an apartment, ambiguously decorated so that it reflects both claustrophic conformity and wall-paper-tattering rebellion, and I especially love the aforementioned flat-screen monitor: The rewinding and fast-forwarding is a brilliantly tangible way of presenting the passing of time, and I have always been a total sucker for the use of multi-media in modern theatre. I think it’s such a great Michel-Foucault-“Des espaces autres” way of depicting the juxtaposition of spaces, and such a juxtaposition is naturally relevant in a performance on the subject of life choices and dimensional displacement.
REPLAY Veronika is, in other words, very recommendable! It opened on Friday the 11th and will be playing until May 20 at Basement, Vesterbro – a great site for theatre, literally underground. Make sure you get a programme when picking up your tickets; Xofia’s visual designer Søren Meisner (also in charge of the absolutely awesome web design at xofia.dk) has done a magnificent job with the layout, and his poster (the above picture) is a rare example of promotional art offering an interpretation of and thus interacting with the stage performance.